261: La tempesta di mare' in Antonio Vivaldi: The complete flute concertos. ^ Jean-Pierre Rampal with I Solisti Veneti conducted by Claudio Scimone.^ Dan Laurin and Drottningholm Baroque Ensemble.^ Sadie, Stanley, 'Recorder' in The New Grove Dictionary of Musical Instruments.^ Sadie, Stanley 'Vivaldi, Antonio' in The New Grove Dictionary of Music and Musicians.Sardelli's conclusions, if correct, would overturn 'the received scholarly view that, rather than writing for the recorder in the first two or three decades of the eighteenth century, then switching over to the flute, Vivaldi already preferred the flute in the 1710s and did not start writing for the recorder until the early 1720s'. This means that this version of the concerto may have been the earliest flute concerto ever composed, and also the first flute piece to include the problematic high F 6.

The Four Seasons, the first four concertos of that collection, also include a few musical depictions of stormy weather.Īccording to Federico Maria Sardelli the chamber concerto version of La tempesta di mare, RV 98, was possibly written for Ignazio Sieber, during the time in which he worked with the composer at the Ospedale della Pietà from 1713 to 1716. An unrelated tempesta di mare concerto, a violin concerto in E ♭ major, RV 253, is included as No. 5 in Vivaldi's Op. 8 Il cimento dell'armonia e dell'inventione. RV 98 is scored for flute, oboe, violin, bassoon, and continuo, from which Vivaldi created the RV 570 concerto grosso by adding orchestral violins to reinforce the solo oboe and violin, and a viola part doubling the bass at the upper octave. Two variants of RV 433, RV 98 and RV 570, are in the chamber concerto and concerto grosso format respectively. Vivaldi wrote several tempesta di mare concertos. Telemann wrote a secular cantata La Tempesta ( The Storm), TWV 20:42, after an Italian libretto by Metastasio. For instance operas like Marin Marais' Alcyone contained famous storm scenes. Giving a musical impression of a storm was a popular theme in baroque music. The La tempesta di mare name for the concerto is given in the score. The first publication of the concerto, included as No. 1 in Vivaldi's Op. 10, VI Concerti a Flauto Traverso, was around 1728 in Amsterdam, by Michel-Charles Le Cène.

RV 433 was conceived as a concerto for transverse flute in D. Vivaldi's contemporaries and predecessors such as Purcell, Bach and Handel featured the flute ( traverso and/or recorder) significantly in their works. Vivaldi had an extensive influence on the concerto genre, helping to pioneer the structure, expanding the boundaries of the genre, and showing that any instrument could have a concerto. He also wrote ensemble concertos (concerto grosso and/or chamber concerto), where three or more soloists participate, which number over 30 written. Solo instruments that Vivaldi wrote concertos for include violin, bassoon, cello, oboe, viola d'amore, flute and mandolin. 10 (Vivaldi) Шесть концертов для флейты, соч.Vivaldi helped to bring the concerto to a mainstream form, not only by expanding on ritornello form, but by emphasizing the slow movements of concertos, which were in a two part binary form. 10 Concerto para Flauta Op.10 N.3 Conciertos para flauta (Vivaldi) Altı Flüt Konçertosu, Op.

10 Concertos pour flûte Sis concerts per a flauta, op. VI Concerti a flauto traverso, violino primo e secondo, alto viola, organo e violoncello

Vivaldi flauto traverso